Broken Glass
Carver Lawson, Special Projects Manager
I’ve realized recently that I rely on my sense of sight too much.
I’m so fascinated by the image in front of me that I don’t notice my posture is craning my neck,
and I don’t feel how my body is knotting up from spending all day analyzing the feedback from my eyes,
and I don’t feel the emptiness in my stomach and the headache from my hunger,
and I couldn’t sense how my spirit was dead and dry because my fixation was futile,
and it all didn’t even occur to me until I felt every sensation hit me in one go.
The Storyteller
Austin Price, Editor in Chief
There was a great storyteller
Who told tales of you and me
The sweet songbird of literature
Who relied on his ABC’s
Rain on the Roof
Austin Price, Editor in Chief
The rain patters on the tin roof
Split, splatter, split, splatter
Continuous pounding of cool water
Onto old, rickety metal
It Works! A Review of the Tour of Back to the Future: The Musical at the Buell Theatre
Eamon Lujan, Guest Writer
Back to the Future: The Musical is a new adaptation of the classic movie. With a book by Bob Gale, music and lyrics by Alan Silvestri and Glen Ballard, and direction by John Rando, this timeless tale has hit the stage at full speed.
Tensions Flare in Stereophonic at the John Golden Theatre
Eamon Lujan, Guest Writer
Stereophonic is a new play written by David Adjimi and directed by Daniel Aukin with original songs by Will Butler. It debuted at Playwrights Horizons, a theatre that fosters new work by playwrights hoping to break into the business. The play became the most nominated play ever at the 2024 Tony Awards with 13 nominations, beating the previous record of 12 held by Jeremy O. Harris’ Slave Play.